![]() Note: If you use the keyboard shortcut and the skimmer is present in the timeline, the clip is connected at the skimmer position. Tweak the black, white and midrange levels by moving the slider bars under each color wheel until you achieve the desired appearance on the video clip in the Viewer pane.Ĭlick “File” followed by “Save” to save your changes. To connect the selected clips to the clips in the primary storyline, do one of the following: Choose Edit > Connect to Primary Storyline (or press Q). Move the main slider bar at the bottom of the window to the left to reduce the overall saturation level of the clip. Below this is another slider bar that controls the overall saturation level of the clip. Below each wheel is a slider bar for controlling the saturation level of each color wheel element. Final Cut Pro displays a window containing three color-corrector wheels one wheel for blacks, one for midrange colors and one for whites. ![]() Drag the option from the Effects pane to the Viewer pane and drop it onto the selected clip.Ĭlick the “Color Corrector 3-Way Filter” tab above the clip in the Viewer pane. Use the Object Tracker to add dynamic text or color correction to moving footage. (You can set more than one active audio angle if you want. Tap next to Video Angle or Audio Angle, then tap an angle, so that there’s a checkmark next to it. Tap a multicam clip in the timeline, tap Inspect in the lower-left corner of the screen, then tap at the top of the inspector. Select “Color Corrector 3-Way” in the list of Color Correction options. Tip: You can also switch camera angles in the inspector. Click and select the “Video Effects” option and then click “Color Correction” in the submenu. Move the playhead control button over the clip to display the video.Ĭlick the “Effects” tab in the browser pane. Final Cut Pro displays the clip in the Viewer pane so that you can view changes to the video as you apply the visual effects. ![]() Double-click the clip in the Timeline pane. ![]()
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